…speaking of air and darkness, “born on a gangster star” came into the world in a big damn hurry, like nightfall on an island. you can see it happening, but then again it’s so gradual that the next thing you know - it’s dark.
imbued with the energy and ideas from all the creative embers floating in the atmosphere like fireflies, shabazz palaces recorded this entire album over the course of two weeks with blood in seattle. new gear and new equipment disintegrated comfort zones into dust and a new path appeared in the rubble.
herein the palaceer continues the tale of quazars, a sentient being from somewhere else, an observer sent here to amurderca to chronicle and explore as a musical emissary. what he finds in our world is a cutthroat place, a landscape where someone like him could never quite feel comfortable amidst all the brutality and alternative facts and death masquerading as connectivity.
the vinyl release includes a download code.

das beste von dem sänger mit der rauchig-smoothen stimme, der seit mehr als 30 jahren als solokünstler, songwriter und produzent erfolgreich ist. “can’t stop a man” präsentiert 36 ausgesuchte songs aus den jahren 1976 bis 2003 auf triple-lp im gatefold sleeve und ausführlichen liner notes & track by track-notes, geschrieben vom us-amerikanischen reggae-experten rob kenner. erstmalig in jahre 2003 parallel zum gleichnamigen 2cd-digipak set erschienen, ist dieses beres hammond porträt wieder als vinyl erhältlich. das zitat von prime entertainment zum konzert im kölner stadtgarten bringt es auf den punkt: “beres hammond beeindruckt mit seiner durch tiefes timbre geprägten, dennoch smoothen und sehr eindringlichen stimme. seine texte sind stets von einer emotionalen dichte und der wahrheit getragen, dass wir eigentlich alle nur nach liebe suchen. diese essentielle message verpackt er in große dancehall-smasher, ebenso wie in romantische balladen und in spirituelle rootsgesänge.”

one of the most important harmony groups in the entirety of jamaican music, the paragons have a long and complicated history. first formed in the ska years by bob andy and tyrone evans as the duo of andy and ronnie, the group soon expanded to a quartet through the addition of howard barrett and john holt, the latter naturally assuming lead duties, following the subsequent departure of andy, holt, evans and barrett made the paragons the quintessential rock steady trio. they had an incredible run of hits for duke reid and coxsone during the mid-to-late ‘60s, and also issued some self-produced work, before holt’s solo career skyrocketed, leaving the group on the back-burner. then, in the mid-1970s, the paragons reformed, cutting material for new york-based labels such as clocktower and clintones, which led to this intriguing album, which saw material recorded in jamaica at harry j for bunny lee mixed with work cut at bullwackie’s studio in the bronx, along with re-workings of classics such as ‘left with a broken heart’ and ‘memories by the score’ is a whole range of new material, dealing with contemporary themes.

bristol based arkist has always been a versatile producer and as a result has an impressive rage of releases under his belt, with revered imprints such as hotflush and hypercolour. recently he has been experimenting further in the studio and is ready to present his first 12inch in few years, under a brand new alias - astrocat. in this debut, self-titled ep it is instantly apparent that vocoder-infused funk and disco of the highest order can be expected from this new astrocat guise. the ep is full of vintage talk box vocals, warm spacey chords and infectious basslines that bring classic records from the likes of zapp and the rah band into mind. with 5 tracks this ep has a lot to offer. wether it be the raw, funked up james of the opener small talk and title track astrocat or the more chilled, woozy grooves of nightflare . with features from mr woodnote and a dub remix from appleblim this ep s roots sit firmly in the south west. local legend dj die even lent his vocoder to the studio for some of the recordings.

at last! the full 12:45 john morales mix of this underground boogie classic gets the proper vinyl release it has always deserved! all those discogs cowboys can now safely crawl back under their stones! replicating the original 1982 12”, except this one doesn’t fade out a minute and a half before the end. the original flipside is present, only this time cut at 45rpm for higher audio resolution. available from 14-07-2017. this release is (i think!) the first time all twelve minutes and forty-five seconds have been pressed on wax (in an ultra limited quantity) so don’t miss it, steven!

first terrace records is honoured to present the beacon sound choir singing sunday songs - a project conceived by peter broderick and brought to life through collaborations with a number of portland-based individuals including david allred, holland andrews (like a villain), branic howard and heather woods broderick.
beacon sound choir is one of broderick’s most ambitious and avant-garde projects to date. utilising the harmonies of a 35 strong choir, sunday songs plays out with an almost religious undercurrent, the product of individuals inspired to commit a divine act of collaboration, recalling the rare splendour of a community in seamless alliance.

this is a journey into sound. a series of journeys across the globe, in-fact. this time with don leisure from darkhouse family. let us tell you a story. firstly, we first need to answer a question. who is shaboo? it began in africa. nasser barwani was the son of shabudin. at the age of 15, nasser (don s uncle) left kenya and hitch-hiked his way to london. nasser entered the movie business, occasionally finding himself in front of the camera, acting in bollywood films. it was then that nasser changed his surname to adopt a screen name - shaboo.
5 instrumental hip hop tracks, linked together in a truly unique style and fashion, this is much more than a beat tape. this is a journey into sound. for real.

delroy wilson the original ‘cool operator’ was also known to many as ‘teacher’. a title given to him as he unselfishly taught the up and coming singers including one youth dennis brown, the art and delivery of singing technique. delroy’s rich tone to his voice added a depth to any song that he chose to sing. delroy wilson (b.1948 kingston,jamaica) began his musical career at the school that was coxonne dodd’s studio one label. after a brief stop in 1969,which saw delroy working for producer sonia pottinger’s tip top label. again producing such hits including ‘it hurts’ and ‘put yourself in my place’. the 1970’s saw delroy wilson’s arrival at bunny ’striker ’lee’s door and what would result in a winning formula,scoring hit after hit. it is from this great period in delroy’s career that we have compiled this selection of killer tunes,cut with the drum and bass rhythm kings themselves sly dunbar and robbie shakespeare.such classis as ‘who care’ ,’can i change your mind’,’get ready’,’you must believe me’ and the timeless title track to this collection ‘here comes the heartaches’. an album of great tracks cut with ‘the hitmaker from jamaica’ bunny lee and his team. a match made in heaven….enjoy the set….

the aristocrats were originally from bridgeport, connecticut, but came to philadelphia in 1973 where they recorded five tracks with bobbi eli at sigma sound studios. only one single was released, the philly classic “let’s get together now” on warner brothers records. original pressings can fetch up to £150. the expansion pressing here is extra special as the ‘b’ side “loving you is mellow” has never previously been released on 7” or vinyl. it is in fact the original version of a song later made famous by major harris but in it’s own right an exceptional piece of philly magic.

over the past six years, dimensions has become a leading name in the underground, with its festival, international series, dj directory and dimensions soundsystem. now, dimensions extends its influence with the start of its label - dimensions recordings. the label launches with a 12-track compilation across three separate discs. ‘an introduction’ makes a huge statement in setting out the label’s intent and breadth. with artists established and new stepping up to present 12 exclusive tracks.
an introduction part 2 turns the heat up with more dance floor leaning contributions from four american artists. from long established names such as lady blacktronika to relative newcomer byron the aquarius, each artist delivers a different but equally powerful piece. marcos cabral’s ‘prochainement’ is a driving, dubbed out melter with stomping kicks and big-room claps under fuzzy synths, whilst byron the aquarius drops his signature dose of funk into ‘full moon’. one of the standout breakthrough artists of last year, the atlanta producer has been part of the dimensions team for some time. queen of beatdown, lady blacktronika steps up with a timeless, tripped-out house classic for her contribution ‘can we still be friends?’, her vocal oozing melancholy. rounding up is dj aakmael with ‘transit’, a raw, flexing cut that we’ve come to expect via his massively impressive output and his own superb imprint, unxpozd entertainment.

it is with great pleasure that we announce the first edition of the krill south series. the series will be making history, right from its inaugural release, by being the first ever techno release to be pressed and distributed from argentina. the release will coincide with a partnership with conekta records. the first release will be a reissue of a remastered version of two of krill’s hottest releases - jonas kopp’s ‘anklad’ (which was featured on krill’s maiden voyage back in 2011) and raffael attanasio’s x501’s ‘x505.5’ (which can be found on the a-side of the fourth krill release with bleak’s offerings on the flip). kopp and attanasio’s contributions to the techno scene have sky-rocketed since their last krill output and it’s an honour to be able to reissue something that has been marked as legendary on krill’s accolade. krill music

nice price deal !!! decks tipp!!! new berlin label delete music. started by daniel rajkovic in 2008, finally makes the long awaited jump into vinyl, taking its powerful, dark and hypnotic music into a new sound realm as only vinyl can do. the first release comes from parisien artist junkbox

ian blevins has been busy making a name for himself on esp institute and futureboogie, but now he comes to not an animal with a slightly different approach that still speaks to the skills the upstart producer has in his sonic arsenal. -the birds- is a focused, steady-tracking cut for the deeper end of the night, but there s some serious weight in those drums and the heavily processed vocal snippets pack plenty of malaise. man power then step up with a -tropical bastard- remix of the original, cracking the curtains to allow a little light into the mix but stopping short of over-cooking the mood. -locate yourself- on the flip finds blevins in tracky techno mode, and it turns out it s a style he can nail just as easily as the more organic tones he s known for.

compiling some of the rarest and most desieable nahid akhtar 7inch appearances - some for the first time since their original release.

erstklassiger northern soul-sampler mit zwölf einzigartigen raritäten, die alle zur zeit ihrer entstehung unveröffentlicht blieben und nur über das abspielen von mastertapes im laufe der zeit popularität in den clubs erreichten. mit chuck jackson, the mayfield singers, the platters, len barry, roscoe shelton, u.v.a. laut gemastered und somit ideal für soul-djs (und -fans).

gorongosa opens a portal through fumy-but-groovy rhodes piano-soundscapes to a parallel universe where animals & humans can exist in harmony and dance to the sound of two music heads from budapest with some remixed vibes by ouer. the price 4 the ride is only to be nice to animals.

- can t seem to hide will be a bona fide classic of 2017 thanks to its combination of a party-time keyboard line over a relentless groove and megan doherty s hypnotic vocal. nicole willis can do no wrong, either, as she steps up to deliver further damage

hyperdub+ warp records artists babyfather and gaika rework two 18+ tracks from their second album collect. hyperdubs dean blunt, a category-rejecting artist and an art-pop provocateur tackles drama under his babyfather guise, looping a low slung swagger beat under the vocals of dj escrow and samia mirza. warp records multi-disciplined south london artist gaika rips apart glow into a discordant sub-low bassline drone, pitching samias vocal as slow as can go, harsh high pitch tones and field recordings. one of the strongest things we’ve heard from the divisive producer.

tendts are two brothers that make -music that you can da nce to, or not-. it seems an odd phrase, but aptly explains the duality of the greek duo. the compositions of christos and fotis papadakis are both emotive and movement inducing, even though they are written and structured with disparate elements that refuse to fall into obvious patterns. they consist of palpitating beats, imaginative textures, seductive melodies and sporadic bursts of treated vocals. it s everywhere is a concept ep soundtracking tendts intergalatic encounter with the pleiadians (dimension traversing nordic aliens to the unenlightened ) at the far edge of the universe. upon their journey home they brought with them not only costumes, masks and relics of extraterrestrial civilizations, they brought with them the spirits of two great celestial beings, momongo and floflolo. fotis and christos were the reincarnation of these two and the main purpose of their return was to enlighten the people of earth about the beginning of the era of the cosmic swimmer.

terrific 12¨ purple vinyl and as waste editions crew are really into emotive and personal sounds ,on this occasion this new release -inside us - by old coroner can t be otherwise. we can t talk about a trend since the producer from barcelona victor safont ,who is the man behind this project ,started producing synthwave music in 2003. yes siree! powerful beats ,dark textures and touching melodies which are perfect for a diabolic dance floor or a meeting at a lodge.

top-sampler als tribut an den legendären londoner flamingo club, dessen kultige all-nighters partys in den 1950er bis 1960er jahren dem musikbegeisterten londoner publikum jazzigen rhythm n blues, proto-soul und später ska beibrachten. mit 16 top-tunes von james brown, little stevie wonder, byron lee, ray charles, sarah vaughan, prince buster, earl bostic, u.v.a.

boss soul, funk and r&b sides from the vaults of the king, federal and deluxe labels. available as a double lp for the first time. specially compiled and commented by nyc dj mr. fine wine, from his personal favourites list from the king records catalogue. including ultra-rare tracks by wayne cochran, lord thunder, jeb stuart, robert moore, frank howard & the continentals, leon austin, eddie kirk, charles spurling, james duncan, and many more.

a few years ago, melodies family members floating points and dj red greg got their hands on a couple of original 70s obscurities. while these standout records shone brightly in their own right, the two djs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. of these new recordings, they cut only five copies for themselves and a few dj friends of theirs. today, melodies international is very proud to bring you mel006 and mel007. fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two æyouÆre a melodyÆ classics werenÆt originally meant to get official releases. but due to popular request, they are now available to play and share in very special moments at parties around the world. mel6 arrives as a 7-inch, with the original version and the edit on the flip. first released in 1979 as a three-minute up-tempo library recording, ôdisco baby-, one of 10 tracks off a record available to license for film, radio, television and other media, held some hidden magic that would only get uncovered almost four decades later. informed by years of combined dancefloor experience, floating points and red greg have slightly tweaked the original material, realising that played in the right context, it can become a true disco anthem.

two new winners from frankey & sandrino... you can hear the logical progression in their oeuvre and releasing them on their very own label marks another new step for sum over histories too.

onirik steps up for ministerium with the groovy weapon aqualoop and the deeper than deep artuwave. on the flipside japanese legend fumiya tanaka delivers a 11 minutes epic trip remix as only he can.

when talking about the current status of house and techno in brazil, the names davis and zopelar will inevitably pop up. the two fgureheads of sao paulo s vital electronic music scene are both responsible for the in their feelings label, as well as being known as residents of the odd collective, a very popular off- location event series. this summer, they will play several gigs in europe, including some highlights in germany like the melt! festival, panoramabar and robert johnson. it s defnitely the perfect timing now, to drop their debut ep on connaisseur and we are certain that this release will cause some major waves. three tunes for three different occasions. enjoy the diversity! try catching davis & zopelar at one of their europe gigs. more info can be found on their facebook profles.

musically and emotionally, superpitcherÆs third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the seventh piece of the golden ravedays puzzle will be released on hippie dance in july 2017. number 7 of the series introduces two further tracks of the sound adventure that superpitcher is taking us on this year.

side a features andy, music made by superpitcher in memory and admiration of a pioneer artist and his works. andy warhol looks a scream, hang him on my wall, andy warhol, silver screen, can t tell them apart at all, andy walking, andy tired, andy take a little snooze, tie him up when he s fast asleep, send him on a pleasant cruise, when he wakes up on the sea, be sure to think of me and you, he ll think, about paint and he ll think about glue, what a jolly boring thing to do. david bowieÆs lyrics about andy warhol mirror the groovy yet deeply moving emotion of this track. the music superpitcher imagined here is a pleasant cruise in itself and once you wake up from it, you will for sure think of andy. side b features yves. the track starts with a long introduction of harp music and then gently evolves into one of the more fragile and poetic pieces superpitcher has created thus far for the golden ravedays record. similar to andy this track is dedicated to an artist, yves saint laurent. what is clear in this music is that there is an intense understanding of the suffering yves saint laurent lived throughout his life as an artist and fashion designer. as only superpitcher can, he translated that emotion into this beautiful and touching piece of music.

classic alert! jamwax teams up with happy milf records to release ‘you are mine’, the nigerian boogie funk gem album from hotline group, recorded at decca studio (lagos) in 1986. the album comes with liner notes and exclusive photos from hotline s personal collection.

phat lcd soundsystem album !!! 2017 reissue

2017 repress -- amazing release from legowelt , three tracks full of house and techno vibes, you will not want to miss this one. big, big!riverettes first release sees legowelt delivering one of his best releases blending everything we have come to love from him, 90s vibes check!, house, check! techno, check! arpeggios, dreamy leads, chilling chords, no nonsense sequences check!expect big things from this new spanish label as can only be assume by their mind-blasting first release

top-reissue der beiden legendären alben us-r&b/gospel-band the voices of east harlem: “the voices of east harlem” (1973), produziert von leroy hutson und curtis mayfield, und “can you feel it” (1974), produziert von leroy hutson. zwei definitive soul-klassiker auf zwei lps.

ou just can t beat those super secret squirrel trax releases on guesthouse, one of the most sizable house labels operating of the bay area. on this third installment, mark funk and danny cruz keep things live and direct with the impassioned soulful house of -givin my love-. peter brown then slides in with the tracky pressure of -funkosphere-, which comes with added flute for good measure. dj mes also strikes a headier groove, but teases the ingredients on -state of affairs- out into an effervescent peak time floor filler, and then hazzaro brings it home with the rallying, roller-skate call of -saturday-. other releases on guestho

take care out there, roy of the ravers is back with another round of boisterous hardware hack-outs on acid waxa. you can tell he means business on opening track -supremacy royale-, a fast and mean-tempered slice of bleepy techno with brains to match its brawn. -ambergris 9- is a more playful jam with wonderfully dated melodic lines lifted from the pantheon of bbc library music, and then -time 2 jack- spins off into strange, abrasive realms of experimental acid. the epic -en trance 10- wheels its way through more than 15 minutes on the b-side, employing trancey bassline strategies to keep your brain locked on course for the full trip.

next up, we return to what we do best introducing a brand new project to get excited about. norwegian pandreas delivers some of that melodic goodness just in time for summer. with early support from jackmaster and prins thomas, you can expect to hear these at a festival near you.

diese schallplatte schafft neue möglichkeiten, plattenspieler zu überprüfen und einzustellen. die meisten tests (außer frequenzgang) können auch ohne mess- instrumente, also nur mit dem gehör durchgeführt werden und eignen sich daher besonders für den ambitionierten musikhörer, der wissen will, wie gut seine anlage unter realistischen bedingungen mit anspruchsvollen signalen zurecht kommt und ob bedarf für reparaturen oder verbesserungen besteht.

this record createsnew possibilities of inspecting and adjusting record players. most tests (except for frequency response) can also be carried out without measuring instruments, just by listening, and are therefor particularly well-suited for the ambitious music listener who wants to know how well his system deals with demanding signals under realistic conditions, and wether there is a need for repairs or improvements.

elliot adamson knows how good he is, which is equally as daunting as it is impressive. i’ve known him since he was the eager beaver barman at a place i’d play regularly in my hometown, who used to try and stick his demos under my nose, and now he seems poised for world domination with a who s who of the worlds biggest djs singing his praises. i’m so pleased i listened to those demos when i did. elliot has a startling breadth and depth of taste for someone of such tender years (although to be honest, people only mention other peoples youth when they feel like they’re getting old themselves). the ep elliot has provided for me me me covers a range of vibes which can be traced through mid 90s house, millennial techno and that current and contemporary feel that we’re all still struggling to name adequately. elliot is a real talent and i couldn’t be happier to provide a platform for what i feel is his most esoteric work to date, and a worthy showcase of his real capabilities.

dj pone was french dmc champion for 4 years (1999-2002) and is member of birdy nam nam, famous dj crew which released 4 albums and was also world dmc champion crew in 2000.the tracks falkens maze and m.f.e. sound a bit like slow justice songs with urban beats. dipodaine (feat. didai) can remind modeselektor and the 4th track errotic impulses featuring arnaud rebotini is a really efficient techno track with analog synth and rythmics.

after two rough cutz in a row its time for a new artist only release on rough limited. the new roughltd007 is a four track ep full of raw house cuts from tobi danton (rough limited). enjoy! vinyl only!

white label with hand-stamped. in a world over easy-come-easy-go overnight success stories, artists like kiwi are a rare find. steadily refining his skills as a dj and producer since the mid 00’s, whilst amassing a back-catalogue with labels such as optimo, disco halal and futureboogie, his trajectory encompasses an eclectic range of influences, making him something of a sonic wild card. with shards of disco, techno and fuzzy electronica always present, it’s seems fully logical that he can count the likes of erol alkan, andrew weatherall and dj harvey as fans. now, making his debut on moda black, kiwi delivers a surreal trip that balances raw energy with e-moment goosebumps, perfectly backed up by remixes from cult favourites lord of the isles and willie burns

taken from the forthcoming album the funky side of virtue recording studios, this super soul double-sider from bob marshall & the a/cs gives you a proper idea of what you can expect from the full length album. raw soul, heavy funk, slick disco grooves, vocal and instrumental treats, male and female singers, all on one album!

we are very happy to announce superchargers darker, fiercer sister label hypercharger ... for our 1st release we have been blessed to raid champa b’s vaults for 4 tracks of jungle insanity...more breaks and bass than you can shake a stick at ... we hope you enjoy as much as we do!

han swolfs turns our senses to more classic and jazz infused pieces, improvised almost entirely on winged piano. gazebo compositions can be considered a resting point after hans more energetic electronic releases and grasps back to his roots. inspired by a video-work by jef cornelis, han translates moods and impressions of memories of his youth and his relation to the artist using a technique similar to ecriture automatique. each note sprouts inspiration for the next one and composes the full story with uppers and downers. belgian duality in its bloom for this summer release. . written and performed by hantrax. mastered at dubplas & mastering berlin. pressed on (180g) 12inch black vinyl with a video still cover taken from de koninklijke serres van laken 1877-1902 made by jef cornelis in 1974. packed in a silk-screened transparant over-sleeve.

stan yaroslavsky, berlin tel-aviv based producer with past releases on label like sakadat, kina music, sleep is commercial and more is proud to present you his new project, small things records. label based in tel aviv berlin which trying to bring you the same atmosphere of summer and winter with combination of small elements and space sounds.
on his first release forward ep together with brilliant remix from martinez (martin swanstein) the boss of concealed sounds, stan and martinez bringing you the perfect combination of minimal house music with new sounds and and new vibe, deep chords and fat bassline with a lot of small details throw the journey so we can feel the summer on the way, and more to come.

legendary nitsa club from barcelona comes back releasing new music fifteen years after their first venture with nitsa recordings. the new label is called nitsa traxx. the essence is not to focus in a particular sound, but try to cover all the range of styles you can usually listen to in this acclaimed club. besides that, the main idea is pretty simple: the a side includes the original track and the b side comes with a remix. first release comes from valencian producer daniel kyo. after releases in drumpoet and bordello a parigi, on this occasion kyo dives into deep techno with a nostalgic hint to ebm. “nacht drei” sounds like one of those tracks from the infamous ruta del bacalao, but with a very nowadays production. sharp and hypnotic, but with a certain sense of epic humor. valencia style. on the flip, marc piñol remixes the original track and makes it sound blurry, obsessive, fast and mental. inspired by his legendary warmups in nitsa club, expect nothing more and nothing less that a simple but not-so-simple mixing tool with a personal touch. one of those long tracks for djs who just love to make lingering transitions to flip out the crowd. nitsa traxx will come back very soon with new music from people related to the club. family and friends. look forward to some surprises for the upcoming releases!

greetings fellow lovers of abstract truth. how s living in a dystopian now working out for you? here s hoping a new birdscare release can help take the edge off... it s by zu dobson. and who s zu dobson? i honestly wish i could tell you. she approached me at an a.l.f.o.s. gathering of the faithful and gave me a cd of her work with nothing on it but a po address written on it. after corresponding by letter for a while we agreed that -apple knife- and -wisdom of rumi- would be the first release (of hopefullly many). i only met ms. dobson fleetingly and she has no on-line presence so her identity is vague even to me. so next time you re on the dancefloor that young woman dancing next to you could well be zu dobson. fondant regards... andrew weatherall

few artists can claim to have their own distinctive “musical voice”: a style of composition and production that listeners instantly recognize. for starters, it takes years of experimentation to perfect, and most people simply don’t have the patience, talent or skills to pull it off.
ali kuru is one of those rare producers whose music sounds like nothing else around. the istanbul-based artist has spent the best part of a decade honing his trademark style – a fragrant and intoxicating aural brew that combines a myriad of influences with atmospheric field recordings and snaking, mind-altering middle eastern instrumentation – via releases for the likes of luxa flex, kalisah, sound architecture and, most recently, leng.
it’s to the latter label that the publicity-shy producer returns with his most ambitious release to date, egzotik. 15 tracks and 70 minutes deep, it’s not so much a debut album as a statement of intent. from start to finish, it feels like a humid, sweat-soaked saunter through the winding streets of istanbul in the company of a musician who draws more inspiration than most from his immediate surroundings.

double 12 inch vinyl in gatefold sleeve.

electric rescue, one of the made-in-france masterpieces of the electronic music and also rex club resident with his -skryptom- label is making his debut on rex club music with this -melancholic enchantment- ep. with 3 albums and many ep s on labels like bedrock, cocoon harthouse, virgo etc to name the essential, electric rescue has proved since his debut, 25 years ago, his experience and skills as a confirmed artist in the techno scene.with this new release, -melancholic enchantment- electric rescue is bringing you to a mindtrip excursions. melancholic enchantment & pavdo, enchant you and carry away in a hypnotic furrow, full of moody and atmospheric sounds. -subway-, in a harder style than the previous ones, with his saturated dub chords mixed with chattered hihat, is an unstoppable hit for big rooms that smiled to make its effect.and what an honor to entrust to the excellent french producer, marcelus, to remix pavdo. this prominent producer has already appeared on labels like deeply rooted, tresor or singular records his label. also resident for the tresor in berlin, marcelus is a complete artist, excellent dj, he is also a genie producer with a unique paw , that you can find in this pavdo remix. it takes t he original in deeper and mental regions, with bell textures and jumbled perc sounding like a ghost train in action. it s definitely a peak time weapon designed for plenty of destruction.